{
    "id": 804,
    "date": "2025-10-07T12:21:56",
    "date_gmt": "2025-10-07T12:21:56",
    "guid": {
        "rendered": "https:\/\/jfcocentaina.com\/?p=804"
    },
    "modified": "2025-10-07T13:06:01",
    "modified_gmt": "2025-10-07T13:06:01",
    "slug": "ignacio-garcia-vidal",
    "status": "publish",
    "type": "post",
    "link": "https:\/\/jfcocentaina.org\/es_es\/compositores-de-musica-festera\/ignacio-garcia-vidal\/",
    "title": {
        "rendered": "Ignacio Garc\u00eda Vidal 1979"
    },
    "content": {
        "rendered": "<p class=\"wp-block-paragraph\">Ignacio Garc\u00eda-Vidal \u00e9s un director d\u2019orques-tra i music\u00f2leg d\u2019origen espanyol. Garc\u00eda-Vidal dirigix regularment amb \u00e8xit importants orquestres, com l\u2019Orquestra Simf\u00f2nica de R\u00e0dio Televisi\u00f3 Espanyola, Orquestra Simf\u00f2nica Nacional d\u2019Argentina, Orquesta Filharm\u00f2nica del Teatre Colom de Buenos Aires, Orquestra Simf\u00f2nica de Tenerife, Orquestra Simf\u00f2nica de Rosario, Orquestra Filharm\u00f2nica de Monte-video, W\u00fcrzburger Philarmoniker, Orquestra Simf\u00f2nica de C\u00f2rdova, Orquestra Simf\u00f2nica de Bota, Orquestra Filharm\u00f2nica de Gran Can\u00e0ria, Orquestra Simf\u00f2nica de La R\u00e0dio Nacional d\u2019Ucra\u00efna, Orquestra Ciutat de Granada, Orquestra Simf\u00f2nica de Mar del Plata, Orquestra Juvenil del SODRE d\u2019Uruguai, Orquestra Simf\u00f2nica de M\u00farcia, entre altres. Garc\u00eda-Vidal va ser Director Art\u00edstic i Titular de la Jove Orquestra Simf\u00f2nica \u201cCiudad de Salamanca; (2001-2010), Principal Director Invitat de l\u2019Orquestra Simf\u00f2nica Nacional d\u2019Alg\u00e9lia (2012-2013) i Director Art\u00edstic i Titular de l\u2019Ensemble Casa Mediterraneo amb seu a Alacant (2014-2017).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ha dirigit exitoses gires com \u201cEl Amor Brujo\u201d; (2015 Sud-Am\u00e8rica), \u201cConcierto de Aranjuez\u201d; (2014 Nord d\u2019\u00c0frica) i \u201cOrquesta i Cor del Bicentenari d\u2019Argentina\u201d (2010 Argentina). Els seus concerts han incl\u00f2s aparicions en Festivals com \u201cMozartFest W\u00fcrzburg\u201d (Alemanya), \u201cFestival International Symphonique\u201d (Algel) i ha sigut invitat per institucions com \u201cMozarteum Argentino\u201d, \u201cInstituto Cervantes\u201d i \u201dFundaci\u00f3n Barenboim-Sa\u00efd\u201d. Garc\u00eda-Vidal va ser guardonat com \u201cHu\u00e9sped d\u2019Honor\u201d per la Legislatura de la Ciutat de Buenos Aires (Argentina) i premiat pel Rotary Club de Salamanca per la seua labor com a director d\u2019orquestra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La premsa ha publicat \u201cun director de luxe (&#8230;) Expressiu, prec\u00eds, tendre, arrollador\u201d (<em>Salta 21<\/em>, Argentina); \u201cen cada presentaci\u00f3 del mestre valenci\u00e0 Ignacio Garc\u00eda-Vidal al nostre pa\u00eds (&#8230;) sorpr\u00e9n amb els seus interessants interpretaciones\u201d (<em>El Pa\u00eds<\/em> Uruguai); \u201cel jove i apassionat director Ignacio Garc\u00eda-Vidal va donar instruccions amb energia, a vegades eloq\u00fcent, a vegades fr\u00e0gils\u201d <em>(MainPost,<\/em> Alemanya); \u201cGarc\u00eda-Vidal \u00e9s un d\u2019eixos directors que saben comunicar el seu propi gaudi de les obres que dirigix amb un enfocament vocacional\u201d (<em>revista Simf\u00f2nica<\/em>, Uruguai); \u201cun director amb \u00e0nima de maestro\u201d (<em>ag\u00e8ncia EFE<\/em> Alger); \u201cresaltarem el molt did\u00e0ctic estil de direcci\u00f3 del mestre Garc\u00eda-Vidal, de gest obert, depurat, malbaratament d\u2019empenta i energia per a conduir esta m\u00fasica de trepidant m\u00e0gia i misteri\u201d (<em>revista Codalario<\/em>, Espanya).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Garc\u00eda-Vidal ha dirigit a importants solistes com Ara Malikian (viol\u00ed), Raquel Boldorini (piano), Jos\u00e9 Ara\u00fajo (violoncel), Roberto Prosseda (piano), Eduardo Fern\u00e1ndez (guitarra), Rocio Baz\u00e1n (cantaora flamenca) o Claudio Espector (piano).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ignacio Garc\u00eda-Vidal va n\u00e0ixer a Cocentaina (Alacant, Espanya) en 1979. Posse\u00efx una profunda formaci\u00f3 acad\u00e8mica i humanista: \u00e9s Doctor \u201cCum Laude\u201d (PhD) per la seua tesi doctoral sobre la pedagogia de la Direcci\u00f3 Musical (Universitat de Las Palmas de Gran Can\u00e0ria), Llicenciat en Hist\u00f2ria i Ci\u00e8ncies de la M\u00fasica (Universitat de Salamanca) i Llicenciat en Ci\u00e8ncies de la Comunicaci\u00f3 (Universitat Pontifica de Salamanca). Va comen\u00e7ar la seua formaci\u00f3 en Direcci\u00f3 d\u2019Orquestra a Espanya amb el mestre Enrique Garc\u00eda Asensio, i va ampliar els seus estudis a Sant Petersburg (R\u00fassia) amb George Erzhemski i Piotr Gribanov, qui el considera un dels seus millors deixebles en tot el m\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Des de 2013 el doctor Ignacio Garc\u00eda-Vidal \u00e9s professor de T\u00e8cnica de Direcci\u00f3 Musical i Hist\u00f2ria de la Direcci\u00f3 Musical en la Universitat Nacional d\u2019Avellaneda (Argentina), i des de 2014 \u00e9s el director art\u00edstic de SENT-ME COCENTAINA, Simposi Trobada de Noves Tend\u00e8ncies en M\u00fasica i Educaci\u00f3 que es du a terme cada mes de juliol a Alacant (Espanya)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">OBRES<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp; &nbsp; &nbsp; 1. Carpe Diem&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.MARXA MORA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; &nbsp; 2. Marah &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;MARXA CRISTIANA&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; &nbsp; 3. Carmina Burana&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;FANF\u00c0RRIA&nbsp; &nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; &nbsp; 4. Izar&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..MARXA MORA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; &nbsp; 5. Viktoria&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..MARXA CRISTIANA&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; &nbsp; 6. Juanjo Casquet&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.PASDOBLE &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; &nbsp; 7. Kabil \u2019 Cap 2002&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;MARXA MORA&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; &nbsp; 8. Fiel Mireno&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..PASDOBLE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; &nbsp; 9. Amics y amigos&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.PASDOBLE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; 10. Quatre Borts&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;PASDOBLE&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; 11. Luc\u00eda&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..MARXA CRISTIANA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp; &nbsp; 12. Sang Mulad\u00ed&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;MARXA MORA&nbsp;<\/p>",
        "protected": false
    },
    "excerpt": {
        "rendered": "<p>Ignacio Garc\u00eda-Vidal \u00e9s un director d\u2019orques-tra i music\u00f2leg d\u2019origen espanyol. Garc\u00eda-Vidal dirigix regularment amb \u00e8xit importants orquestres, com l\u2019Orquestra Simf\u00f2nica de R\u00e0dio Televisi\u00f3 Espanyola, Orquestra Simf\u00f2nica Nacional d\u2019Argentina, Orquesta Filharm\u00f2nica del Teatre Colom de Buenos Aires, Orquestra Simf\u00f2nica de Tenerife, Orquestra Simf\u00f2nica de Rosario, Orquestra Filharm\u00f2nica de Monte-video, W\u00fcrzburger Philarmoniker, Orquestra Simf\u00f2nica de C\u00f2rdova, Orquestra [&hellip;]<\/p>",
        "protected": false
    },
    "author": 1,
    "featured_media": 889,
    "comment_status": "open",
    "ping_status": "open",
    "sticky": false,
    "template": "",
    "format": "standard",
    "meta": {
        "_acf_changed": false,
        "footnotes": ""
    },
    "categories": [
        7
    ],
    "tags": [],
    "class_list": [
        "post-804",
        "post",
        "type-post",
        "status-publish",
        "format-standard",
        "has-post-thumbnail",
        "hentry",
        "category-compositores-de-musica-festera"
    ],
    "acf": [],
    "_links": {
        "self": [
            {
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/posts\/804",
                "targetHints": {
                    "allow": [
                        "GET"
                    ]
                }
            }
        ],
        "collection": [
            {
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/posts"
            }
        ],
        "about": [
            {
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/types\/post"
            }
        ],
        "author": [
            {
                "embeddable": true,
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/users\/1"
            }
        ],
        "replies": [
            {
                "embeddable": true,
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/comments?post=804"
            }
        ],
        "version-history": [
            {
                "count": 2,
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/posts\/804\/revisions"
            }
        ],
        "predecessor-version": [
            {
                "id": 851,
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/posts\/804\/revisions\/851"
            }
        ],
        "wp:featuredmedia": [
            {
                "embeddable": true,
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/media\/889"
            }
        ],
        "wp:attachment": [
            {
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/media?parent=804"
            }
        ],
        "wp:term": [
            {
                "taxonomy": "category",
                "embeddable": true,
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/categories?post=804"
            },
            {
                "taxonomy": "post_tag",
                "embeddable": true,
                "href": "https:\/\/jfcocentaina.org\/es_es\/wp-json\/wp\/v2\/tags?post=804"
            }
        ],
        "curies": [
            {
                "name": "wp",
                "href": "https:\/\/api.w.org\/{rel}",
                "templated": true
            }
        ]
    }
}